
Journal Issue
Recurrence, Vol. VI, No. 24 (Spring 1956)
Two in a Maze and Object In The Dark give the issue a strong interest in water and weather.
View edition →Extremes and Moderations: A Historical Archive of Los Angeles and Southern California Poetry
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Journal Issue
Two in a Maze and Object In The Dark give the issue a strong interest in water and weather.
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Journal Issue
Previews for Mauve Mandolin gives Trace no. 16 its clearest point of entry, while Editors in Conference by G. Yes and Towards Print by the Editor by James Boyer May widen the issue’s field.
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Journal Issue
Octopus and Microbiologist give the issue a strong interest in shifting scenes and states of mind.
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Journal Issue
A Style for Action: Notes on Verse Drama by James Schevill gives Trace no. 17 its clearest point of entry, while Towards Print by James Boyer May and Alan Swallow widen the issue’s field.
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Journal Issue
Tijuana: A Profile gives this issue its argumentative center, with Barding Dahl setting the terms.
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Journal Issue
The Friends and Morning in Monotone give the issue a strong interest in shifting scenes and states of mind.
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Journal Issue
The Quick and the Dead by Martha Millet gives Trace no. 18 its clearest point of entry, while Towards Print by James Boyer May and A Note on Neoterism by Ellen Edelman widen the issue’s field.
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Journal Issue
Spider Web and Goodbye give the issue a strong interest in shifting scenes and states of mind.
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Journal Issue
Mental Reservations by Felix Anselm gives Trace no. 19 its clearest point of entry, while Towards Print by James Boyer May and Poetry and Progress by Joseph L. Grucci widen the issue’s field.
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Journal Issue
America’s Literary Underground gives this issue its argumentative center, with Lawrence Lipton setting the terms.
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Journal Issue
Lines for Artemis and Garden at Nightfall give the issue a strong interest in shifting scenes and states of mind.
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Journal Issue
Announcing Universe Inside Me by Lawrence Barth gives Trace no. 20 its clearest point of entry, while In Search of the Perfect Book by David Gunston and Towards Print by James Boyer May widen the issue’s field.
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Journal Issue
News Notes gives this issue its argumentative center.
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Journal Issue
Poetry in the Little Reviews by John Sankey gives Trace no. 21 its clearest point of entry, while Towards Print by James Boyer May and Source Books of Violence widen the issue’s field.
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Journal Issue
Two Reasons for Indifference by Joseph Leonard Grucci gives Trace no. 22 its clearest point of entry, while I Infantilism by Joseph Leonard Grucci and Half-Poetry widen the issue’s field.
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Journal Issue
Poetry and Mind by James Russell Grant gives Trace no. 23 its clearest point of entry, while Towards Print by the Editor of Trace by James Boyer May and For the Artist, Nine Suggestions by Felix Singer widen the issue’s field.
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Journal Issue
Correspondence from the Field gives this issue its argumentative center, with Barding Dahl setting the terms.
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Journal Issue
Poetry and Mind by James Russell Grant gives Trace no. 24 its clearest point of entry, while Towards Print by James Boyer May widens the issue’s field.
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Journal Issue
The New Australian Poetry gives this issue its argumentative center, with Roy MacGregor-Hastie setting the terms.
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Journal Issue
Towards Print by James Boyer May gives Trace no. 25 its clearest point of entry, while Through the Gripevine by Felix Anselm and Monumental, but Not Formidable by Guy Daniels widen the issue’s field.
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Journal Issue
Lysergic Acid and the Creative Experience gives this issue its argumentative center, with Mel Weisburd setting the terms.
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Journal Issue
Towards Print by James Boyer May gives Trace no. 26 its clearest point of entry, while How Long to Write a Book? by David Gunston and After the Party by Eric Cashen widen the issue’s field.
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Journal Issue
Towards Print by James Boyer May gives Trace no. 27 its clearest point of entry, while In New York with John Masefield by Fraser Drew and Hints on the Uses of Books, Libraries, Etc by Felix Singer widen the issue’s field.
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Journal Issue
Towards Print by James Boyer May gives Trace no. 28 its clearest point of entry, while Open Letter to a Con-man by Felix Anselm and Some Items Received by the Editors widen the issue’s field.
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