THE JOURNALS

Browse complete issues, journal-derived anthologies, and research indexes. Each record opens to an individual reading page with contributors, contents, publication details, and PDF access.

ALL EDITIONS

Journal Issue

Recurrence, Vol. V, No. 18 (Autumn 1954)

Advent and Mutation give the issue a strong interest in natural observation.

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Journal Issue

Trace, No. 9 (October 1954)

Replies to Prognosis gives Trace no. 9 its clearest point of entry, while Towards Print by James Boyer May widens the issue’s field.

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Journal Issue

Variegation, Vol. IX, No. 36 (Autumn 1954)

Canyon in Yellowstone and Tom-Toms give the issue a strong interest in water and weather.

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Journal Issue

California Quarterly, Vol. 3, No. 4 (1955)

From the 1855 Preface gives this issue its argumentative center, with Walt Whitman setting the terms.

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Journal Issue

California Quarterly, Vol. 3, No. 4 (1955)

From the 1855 Preface gives this issue its argumentative center, with Walt Whitman setting the terms.

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Journal Issue

Recurrence, Vol. V, No. 19 (Winter 1955)

Aerials and How Still They Grow give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Variegation, Vol. X, No. 37 (Winter 1955)

Ada Davies’s 3-poem run, from Indelible Insect Fears to Dusk, gives this issue its clearest formal center.

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Journal Issue

Trace, No. 10 (February 1955)

Who Needs the Little Magazines? by Ellen Edelman gives Trace no. 10 its clearest point of entry, while Towards Print by James Boyer May widens the issue’s field.

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Journal Issue

Coastlines, Vol. I, No. 1 (Spring 1955)

Editorial gives this issue its argumentative center.

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Journal Issue

Recurrence, Vol. V, No. 20 (Spring 1955)

The Well and A Touch of Old New York give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Trace, No. 11 (April 1955)

Some Shop Talk on Poetry and Drama by Lawrence Lipton gives Trace no. 11 its clearest point of entry, while Towards Print by James Boyer May widens the issue’s field.

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Journal Issue

Variegation, Vol. X, No. 38 (Spring 1955)

Cecil Kyle’s 3-poem run, from Farewell to Offerings to Aphrodite, gives this issue its clearest formal center.

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Journal Issue

Trace, No. 12 (June 1955)

Towards Print by the Editor of Trace by James Boyer May gives Trace no. 12 its clearest point of entry, while Bern Porter and Some Items Received by the Editor widen the issue’s field.

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Journal Issue

Coastlines, Vol. I, No. 2 (Summer 1955)

Collected Poems of Wallace Stevens gives this issue its argumentative center, with Gene Frumkin setting the terms.

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Journal Issue

Recurrence, Vol. VI, No. 21 (Summer 1955)

Slow Potto in Captivity and Use of Earth give the issue a strong interest in shifting scenes and states of mind.

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Journal Issue

Towards Print by James Boyer May gives Trace no. 13 its clearest point of entry, while Glen Coffield’s New Age Anthology of Poetry and More on Poetry and Drama by Lawrence Lipton widen the issue’s field.

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Journal Issue

Coastlines, Vol. I, No. 3 (Autumn 1955)

Science Fiction: From Escape to Freedom gives this issue its argumentative center, with Mel Weisburd setting the terms.

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Journal Issue

Recurrence, Vol. VI, No. 22 (Autumn 1955)

Myron H. Broomell’s 3-poem run, from The Point of Aristotle to Glass is the Best Material for Ashtrays, gives this issue its clearest formal center.

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Journal Issue

Trace, No. 14 (October 1955)

Poetry in Canada—magazines by Fred Cogswell gives Trace no. 14 its clearest point of entry, while Towards Print by the Editor of Trace by James Boyer May widens the issue’s field.

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Journal Issue

California Quarterly, Vol. 4, No. 1 (1956)

Beyond Loneliness gives this issue its argumentative center.

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Journal Issue

California Quarterly, Vol. 4, No. 1 (1956)

Beyond Loneliness gives this issue its argumentative center.

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Journal Issue

Recurrence, Vol. VI, No. 23 (Winter 1956)

Eleanor Glenn Wallis’s 3-poem run, from Whooping Cranes to The Hunter, gives this issue its clearest formal center.

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Journal Issue

Trace, No. 15 (February 1956)

Selected from You and Modern Poetry by George Abbe gives Trace no. 15 its clearest point of entry, while Towards Print by James Boyer May and Some Items Received by the Editor widen the issue’s field.

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Journal Issue

Coastlines, Vol. I, No. 4 (Spring 1956)

From You and Contemporary Poetry gives this issue its argumentative center, with George Abbe setting the terms.

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THE TEXT/TECH PAPERS

THE JOURNALS

Recurrence, Vol. V, No. 18 (Autumn 1954)

Trace, No. 9 (October 1954)

Variegation, Vol. IX, No. 36 (Autumn 1954)

California Quarterly, Vol. 3, No. 4 (1955)

California Quarterly, Vol. 3, No. 4 (1955)

Recurrence, Vol. V, No. 19 (Winter 1955)

Variegation, Vol. X, No. 37 (Winter 1955)

Trace, No. 10 (February 1955)

Coastlines, Vol. I, No. 1 (Spring 1955)

Recurrence, Vol. V, No. 20 (Spring 1955)

Trace, No. 11 (April 1955)

Variegation, Vol. X, No. 38 (Spring 1955)

Trace, No. 12 (June 1955)

Coastlines, Vol. I, No. 2 (Summer 1955)

Recurrence, Vol. VI, No. 21 (Summer 1955)

Trace, No. 13 (August 1955)

Coastlines, Vol. I, No. 3 (Autumn 1955)

Recurrence, Vol. VI, No. 22 (Autumn 1955)

Trace, No. 14 (October 1955)

California Quarterly, Vol. 4, No. 1 (1956)

California Quarterly, Vol. 4, No. 1 (1956)

Recurrence, Vol. VI, No. 23 (Winter 1956)

Trace, No. 15 (February 1956)

Coastlines, Vol. I, No. 4 (Spring 1956)