
Journal Issue
Variegation, Vol. VIII, No. 31 (Summer 1953)
This Summer 1953 number of *Variegation* is best met through the writing itself. It contains 15 named pieces or sections, beginning with *In Mexico*…
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Journal Issue
This Summer 1953 number of *Variegation* is best met through the writing itself. It contains 15 named pieces or sections, beginning with *In Mexico*…
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Journal Issue
This June 1953 number of *Trace* is best met through the writing itself. It contains 5 named pieces or sections, beginning with *Little Magazines…
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Journal Issue
This Spring 1953 number of *Recurrence* is best met through the writing itself. It contains 14 named pieces or sections, beginning with *My Summer…
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Journal Issue
Open this Spring 1953 issue of *Variegation* and the contents begin making their own introductions. It contains 15 named pieces or sections, beginning with…
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Journal Issue
Open this February 1953 issue of *Trace* and the contents begin making their own introductions. It contains 3 named pieces or sections, beginning with…
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Journal Issue
Published in Winter 1953, no. 11 of *Recurrence* gives readers several clear ways into the magazine. It contains 15 named pieces or sections, beginning…
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Journal Issue
Published in Winter 1953, no. 29 of *Variegation* gives readers several clear ways into the magazine. It contains 16 named pieces or sections, beginning…
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Journal Issue
This Autumn 1952 number of *Recurrence* is best met through the writing itself. It contains 15 named pieces or sections, beginning with *No Return*…
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Journal Issue
Published in October 1952, no. 2 of *Trace* gives readers several clear ways into the magazine. It contains 5 named pieces or sections, beginning…
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Journal Issue
This Autumn 1952 number of *Variegation* is best met through the writing itself. It contains 16 named pieces or sections, beginning with *The Island…
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Journal Issue
Open this Summer 1952 issue of *Recurrence* and the contents begin making their own introductions. It contains 15 named pieces or sections, beginning with…
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Journal Issue
This Summer 1952 number of *Variegation* is best met through the writing itself. It contains 16 named pieces or sections, beginning with *Divorce in…
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Journal Issue
The June 1952 issue of *Trace* brings its writers together without asking them to sound alike. It contains 2 named pieces or sections, beginning…
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Journal Issue
This Spring 1952 number of *Recurrence* is best met through the writing itself. It contains 14 named pieces or sections, beginning with *Pastoral* by…
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Journal Issue
Open this Spring 1952 issue of *Variegation* and the contents begin making their own introductions. It contains 17 named pieces or sections, beginning with…
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Journal Issue
Published in Winter 1952, no. 7 of *Recurrence* gives readers several clear ways into the magazine. It contains 17 named pieces or sections, beginning…
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Journal Issue
The Winter 1952 issue of *Variegation* brings its writers together without asking them to sound alike. It contains 17 named pieces or sections, beginning…
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Journal Issue
The Autumn 1951 issue of *Recurrence* brings its writers together without asking them to sound alike. It contains 16 named pieces or sections, beginning…
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Journal Issue
Published in Autumn 1951, no. 4 of *Variegation* gives readers several clear ways into the magazine. It contains 13 named pieces or sections, beginning…
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Journal Issue
The Summer 1951 issue of *Recurrence* brings its writers together without asking them to sound alike. It contains 15 named pieces or sections, beginning…
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Journal Issue
Published in Summer 1951, no. 3 of *Variegation* gives readers several clear ways into the magazine. It contains 14 named pieces or sections, beginning…
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Journal Issue
Published in Spring 1951, no. 4 of *Recurrence* gives readers several clear ways into the magazine. It contains 16 named pieces or sections, beginning…
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Journal Issue
The Spring 1951 issue of *Variegation* brings its writers together without asking them to sound alike. It contains 16 named pieces or sections, beginning…
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Journal Issue
This Winter 1951 number of *Recurrence* is best met through the writing itself. It contains 15 named pieces or sections, beginning with *To See…
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