Variegation, No. 2 (April 1946)

Published in April 1946, no. 2 of Variegation gives readers several clear ways into the magazine. It contains 14 named pieces or sections, beginning with Across the Moon by Edith E. Hewins, Sea Journey by Harold Vinal, and Vulnerable by Estelle Chase Samuelson. That opening offers a direct path through the issue, but it is not the only one. A reader can follow the printed order, pause over a familiar contributor, or start with a title that catches the eye. No special background is needed. The magazine explains itself gradually through the choices it makes and through the company each piece keeps.

Marcia Masters’s 3-poem run, from Little Town to Lilac, gives this issue its clearest formal center. Most of the 13 poems are compact, but their free-verse lines vary the pace through clipped statements, longer syntactic runs, and small sequences that let one voice change pressure across several pages. What stands out is those changes of scale, as a single image is often answered by a more extended poem on the next leaf. The closing Prosody for Free Verse shifts the number from practice to criticism, making its stylistic choices explicit without flattening the contrasts among the poems.

The contents page also works like a small map. Early entries establish the issue’s first set of voices; around the middle, Picasso by Orian DePledge changes the view; the closing stretch reaches Prosody for Free Verse by Grover I. Jacoby, Jr. The works differ in length, subject, and manner, yet their placement creates connections that a simple list of names cannot show. The pleasure comes from those changes. A short piece can clear the air after a longer one, a new voice can redirect the mood, and an unexpected title can make an earlier page look different when the reader thinks back to it.

The contributor list includes Edith E. Hewins, Harold Vinal, Estelle Chase Samuelson, Marcia Masters, Joseph Joel Keith, Orian DePledge, Frona Lane, and Ethel Romig Fuller, along with 4 additional contributors. Some readers will arrive looking for a particular name; others will meet these contributors here for the first time. Either approach works. The publication details add useful context: the issue was edited by Grover Jacoby, published by Variegation Publishing Company, and issued from Los Angeles, California. A journal is also a made object, assembled by people deciding what to print, how to order it, and which voices should share a number. Reading from beginning to end lets those choices appear naturally.

The catalog subjects—Los Angeles little magazines, American poetry, Free verse, Modernist poetry, and Sea and coast—are useful starting points, especially for searching, but they do not set limits on what a reader may find. For a first visit, begin with Across the Moon by Edith E. Hewins, turn next to Picasso by Orian DePledge, and finish with Prosody for Free Verse by Grover I. Jacoby, Jr. The clean reading edition is designed for that kind of movement. Original scan: 28 PDF pages. Reader’s edition: 20 pages. It keeps the contents in a stable, legible form and makes names and titles easier to find. A source facsimile remains part of the project’s private editorial record, but it is not included in the public upload. What appears here is the reading copy: a practical way to spend time with the issue and discover which pieces invite a return.